The Writers Scale

by Scriptpunk on May 18, 2012

I don’t normally just report other people’s post but Scriptshadow wrote an AWESOME post called The Writers Scale. It is very much focused on writers, their careers and their development.

Read it.

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Two Questions I Hate

by Scriptpunk on May 16, 2012

Image: Ambro / FreeDigitalPhotos.net

I have noticed there are two questions that screenwriters ask each other as soon as they meet. It’s half ice breaker and half nosiness! They are necessary evils but ones which I have to admit, having cackhandedly answered them for years, I now hate and have to stifle a wince when they are asked.

The first is “What kind of things do you write?” The second is “What have you had produced?”

I have always found the first question the writers equivalent of the dinner party favourite “So, what do you do?” It’s a way to size you up, put you in a box of one kind or another. And you know what? I am absolutely flummoxed about how to answer it.

A look at my current spec script portfolio shows features, TV and short scripts of all different shapes, sizes and genres. I don’t just write comedy. I don’t just write horror. I don’t just write children’s. But I realise when I say something along the lines of “I write whatever excites me” that I come across as fairly naive or unfocused. But its true. I start with an idea, and if I like it, I write it.

The second question, “What have you had produced?”,  I must admit have always found vaguely unsettling. Although it has to be asked, again as a measuring tool, I do almost equate it to “What do you earn?” or “How successful are you?”

Until recently I had to say “I have had nothing produced”, but my line now – which is true – is “I have a number of short films in various stages of pre-production” seems to do the job.

But, and here’s the kicker to this question, and why I hate it…the response to your answer is just as telling, but this time telling about the questioner rather than the responder.

So, you answer in the affirmative and the questioner either a) feels somehow slighted that you have managed to get something produced when they are so OBVIOUSLY more intelligent/witty/brilliant (delete as appropriate) b) thrusts a dog eared script in your hand and begs you to give “honest” feedback when they actually want you to confirm their undiscovered genius or c) – the rarest of the all – is genuinely interested in how it happened and what the process was for you.

And if you answer negatively, “No Sir, I have not had anything produced”,  the questioner either a) looks at you like you are something scrapped off their shoe and wonders why you are at the event or even in the building b) smiles politely and moves on to the next person having deemed you a waste of networking time or c) sympathises with you and blames “the system” for stifling talent and tries to lick their own ears.

You can’t win with these bastard questions – and yet, I find they are the first two out my lips when I meet someone. Perhaps I need better patter, or at least a better way to answer them!

Any ideas?

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Could your number of Twitter followers help your career?

April 25, 2012

This week I’ve been reviewing my notes from a seminar I attended about a year ago. It was from a brilliant seminar with Christine Vachon and Ted Hope – and frankly I’ve been going on about it ever since. One thing that Ted Hope said and I wrote down and circled about five times was the [...]

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Think beyond Fade Out

April 24, 2012

Writers write, right? We have characters, plots, stories and motivations for countless projects all going on in our heads, so why should we look beyond our own processes? The answer is simple. If you want to get produced, you have to look beyond writing “Fade Out” at the bottom of your screenplay and think about [...]

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Book Review – Think Outside the Box Office

April 23, 2012

If you haven’t already read Jon Reiss’ Think Outside the Box Office I’d urge you to do so immediately. Jon is coming to the UK in June for a seminar, which again, I’d urge you to go to if you can. Not only do you get Jon’s book for free, you get to listen to [...]

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Short Film Projects

April 22, 2012

At the start of this year I changed tack somewhat. Instead of labouring months on a spec feature script, only to have little to no interest in it, I decided to write a number of short films. Why? Well, firstly to see if I could hone my writing by writing shorts. Shorts are not small [...]

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Amazon Studios

April 11, 2012

This weekend I did something I swore blind I would never do. (Steady, matron) I submitted a script to Amazon studios. Why? Well, I joined the Amazon Studios project about a year ago, had a snoop around and like most writers thought that the risks of submitting outweighed the benefits of potentially being commissioned (instant option [...]

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Linda Aronson and the rise of Non Linear Narrative

April 10, 2012

> Linda talks about the rise of non-linear films and how you as a writer can approach this. Great stuff. Listening to Linda talk gives me the same goosebumps I got when I first read Metamorphosis by Kafka. “Wow, you can do that?”

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Book Review – A Killer Life by Christine Vachon

April 8, 2012

I had the pleasure of listening to Christine Vachon and Ted Hope speak about Independent Film last spring in London. It was a brilliant session, full of tit bits and insights into making indie films. This hard won knowledge was both relevant and entertaining. As a result, I put Christine’s book “A Killer Life” on [...]

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Working Late – Short Film

March 6, 2012

The lovely guys at Filmstormers in Canada made my short film “Working Late” – here’s what it looks like.

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